Tag Archives: new media art

Invisible In Plain Sight

Invisible in plain sight


Commissioned by Art Connects New York, Invisible in Plain Sight is an Augmented Reality exhibition developed specifically for Senior Planet in NYC with work by artists who are also members of Senior Planet: Menny Borovski; Amy Epstein; Erica Feld; Arthur Fornari; John Leicmon; Anna Link; Marilyn Pappas; Geraldine Scalia; Henry Soto. The exhibition was conceived in collaboration with Jeff Crouse and Sebastian Bach; works have been developed in collaboration with Jeff Crouse and Peter Lester; and Crouse had additionally developed the ArtConnectsAR app, built in the Unity game engine using the Vuforia AR platform, by which the exhibition is accessible.

The exhibition opens up a space to suspend disbelief and reimagine space in the built environment in New York City. Exploring the urban landscapes of the city including all of its nooks and crannies, Invisible In Plain Sight includes new ephemeral digital works specifically for the Augumented Reality app. Drawing on their experience as painters, photographers, sculptors, holographers, illustrators, and poets, the artists reimagine our cityscape.


Invisible in Plain Sight
A Permanent Exhibition for Senior Planet Exploration Center
Curated by Amanda McDonald Crowley

Opening Reception with the Artists:
Thursday, November 17
6 – 8pm
Senior Planet Exploration Center
127 West 25th Street, New York, NY, 10001


Here are a few of the targets for viewing the exhibition! In situ at Senior Planet. To view the works, got to the Apple app store on your iPhone or iPad, download the app (developed by Jeff Crouse, of See-through Lab LLC). Open the app and point the camera at these targets to see the artworks


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Curatorial Masterclass

Eyebeam Summer School: Curatorial Masterclass


An initiative of Eyebeam’s Summer School program, the Curatorial Masterclass was led by Eyebeam research partner Sarah Cook from CRUMB, the online resource for curators working with media art. The series provided an opportunity for emerging and established curators of art to get together within a focused period of time to learn from each other’s practice, and to develop a greater understanding of curating, open source methods, and working in the public domain.

The first hour of each day was structured as a formal conversation modeled on CRUMB’s tea-time chats, and featured established curators and artists. The second hour was a rigorous participant driven discussion that built upon the first hours of themes and insights. Following each presentation and workshop, participants had the opportunity to stick around for beer o’clock and conversation with presenters and fellow masterclass participants, as well as participants from other Eyebeam Summer School programs.

Lead Tutors and Program Management: Amanda McDonald Crowley, Anne Barlow, Dominic Smith, Fred Benenson, Hans Bernhard, Lize Mogel, Patrick Lichty, Rebecca Cittadini, Sarah Cook, Scott Burnham, Stephanie Pereira, Stephen Duncombe, Steve Dietz, Steve Lambert, Taeyoon Choi.

• Download the complete schedule, list of guest bios, and key references compiled by Sarah Cook here: CMSS_09_crumb_eyebeam.

Day 1: July 7, What open source is and what it means for art (Burnham, Smith, Benenson) | WATCH VIDEO
Day 2: July 9, Publication and Documentation (Mogel, Cittadini) | WATCH VIDEO
Day 3: July 14, Networking and Collaboration (Lichty, McDonald Crowley, Cohrs) | WATCH VIDEO
Day 4: July 16, Curating in the public domain (Dietz, McDonald Crowley, Choi) | WATCH VIDEO
Day 5: July 21, Evaluation and Audience Engagement (Barlow, Bernard, Duncombe) | WATCH VIDEO

Eyebeam Summer School, 2009

Summer School 2009 program also included:BBQ_IMAGE

Summer School @ Night, A series of free evening lectures open to the public led by hosts from Eyebeam’s Summer School program and friends of Eyebeam, programmed by Stephanie Pereira and Paul Amitai.

Digital Day Camp 2009, a summer program for open to NYC public high school students to engage in lectures and hands-on workshops focusing on art and technology tools, and relevant social and artistic topics, managed by Stephanie Pereira. Check out the DDC2009 Blog here for information on participants, tutors, and program. DDC activities are led by invited technology professionals, contemporary artists, and Eyebeam’s residents and fellows and was an annual program at Eyebeam from 2000 to 2011.

College of Tactical Culture, A think tank on creative activism led by Stephen Duncombe and Steve Lambert. Project Manager: Paul Amitai. Participants: Larry Bogad, Andrew Boyd, Rebecca Bray & Britta Riley, Ava Bromberg, Anne Frederick, Packard Jennings, Kristin Horton, Aaron Hughes,  Laura MacCleery,  Ricardo Miranda Zuniga, Eve Mosher, Brooke Singer, Ella Turenne.

Photos: Christine A. Butler courtesy of Eyebeam

Press release for the Summer School 2009 is available here: summerschool_PR_070109_FINAL

Further archive information about Summer School at Eyebeam.

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Alchemy: Masterclass for New Media Artists + Curators


In 2000 ANAT (Australian Network for Art and Technology) convened ALCHEMY: the International Masterclass for New Media Artists and Curators.

The Masterclass took place in Brisbane in May and early June 2000. 16 tutors and 42 participating artists and curators explored new media practices, critical concepts for cross cultural collaboration and generally had an extraordinary time exploring with and playing in the newly opened Brisbane Powerhouse – Centre for the Live Arts, who partnered with ANAT on the realisation of this project.

Participants had 24 hour access to the equipment and the building and the project provided participants with an incredibly rich learning environment, both technically and conceptually. The masterclass engaged with a diverse range of topics. Themes included: science discourse; curatorial practice; net art practice; Indigenous and regional Asia Pacific issues; and performance and hybrid practices.

Participants for Alchemy were selected from a call for proposals distributed internationally in late 1999. The participants were chosen through their proposals, with reference both to the thematics and with geographical and cultural considerations also taken into account.

Alchemy participants:

Brook Andrews (NSW) Caroline Farmer (SA) Christian Thompson (Vic)
Clare McGrogan (Qld) Dena Curtis (NT) Gongxin Wang (China)
Hartanto (Indonesia) Jenny Fraser (Qld) Jo Law (WA)
Keith Armstrong (Qld) Kim Machan (Qld) Mae Adams (Vic)
Megan Rainey (SA) Monica Narula (India) Patricia Adams (Qld)
Raewyn Turner (NZ) Rebecca Youdell (Qld) Sam James (NSW)
Sarah Neville (SA) Shilpa Gupta (India) Steve Bull (WA)
Bruce Gladwin (Vic) Chris Dempsey (Qld) Christiawan (Indonesia)
Deborah Lawler-Dormer (NZ) Edwina Bartleme (Qld) Grisha Coleman (NY)
Jane Schneider (Qld) Jernej Kozar (Slovenia) Kamal Krishna (Qld)
Kelli Mccluskey (WA) Lisa Anderson (Qld) Jernej Kozar (Slovenia)
Mari Velonaki (NSW) Mike Stubbs (UK) Partha Pratim Sarker (Bangladesh)
Peter Toy (WA) Raul Ferrera (Mexico) Rolando Ramos (NSW)
Sarah Ryan (Tas) Sheridan Kennedy (NSW) Sophea Lerner (NSW)
Vanessa Mafe-Kean (Qld)


Alexei Shulgin (Russia) Nina Czegledy (Canada) Mongrel (UK)
Geert Lovink (Aust and Netherlands) John Tonkin (Aust) Rea (Gamileroi/Wailwan)
Shudahabrata Sengupta (India) Sara Diamond (Canada) Marko Peljhan (Slovenia)
Tess de Quincy & Laura Jordan (Aust) Blast Theory (UK) Mike Stubbs (UK)

The project provided for an intensive and productive period for exploration, conversation and the generation of dialogue and new ideas. The masterclass included daily presentation and discussion periods, workshops, skillshares, and skills development opportunities. Weekly BBQ and performance events provided opportunities to network with local Brisbane artists and curators; evening events provided opportunities for lead tutors to present their work in public forums, and a performance evening at the conclusion of the masterclass provided participants with the opportunity to present work in progress to the greater Brisbane community. Technical Management: Martin Thompson; Project Management: Charity Bramwell; Project and Technical assistant: Tim Plaistead.

Please note these are historical sites – some links may no longer work

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med•ia te: School for New Media Art Curation

med•ia te

med•ia te: the ANAT National School for New Media Art Curation, evolved out of a recognition that to nurture art which utilises technology, adequate education of curators and arts workers must also be undertaken. As new technologies become increasingly critical to art practices, it is important to provide skill-based education for curators wishing to extend their practice into this area, med•ia te was a world first in providing this type of training.

The school was held in association with Contemporary Arts Services Tasmania (CAST), in Hobart, Tasmania, 28 March -11 April,1999. Trained curators, technicians and theorists from Australia and overseas provided intensive training, in a two week masterclass teaching environment, that gave curators both a technical and a theoretical understanding of new media art exhibition practice.

The international tutors for the school were Sara Diamond, Director of Banff New Media Centre in Canada, and Tapio Mäkelä, a Finnish curator, artist and writer. Expert national tutors were Linda Wallace, Shiralee Saul, Peter Hennessey, Jason Gee and John Tonkin. Honor Harger was the med•ia te project manager.

Tasmanian artists and curators who gave artist’s talks or presentations about their work included PK Khut, Leigh Hobba, Sean Bacon and Matt Warren, and Martin Walsch.

A highlight of the school was a ‘school excursion’ to Bruny Island on the final day, where participants, tutors, members of the CAOs (Contemporary Art Organisations) network who were in town for a meeting, and local artists travelled to Cape Bruny to visit David Haines and Joyce Hinterding at the lighthouse, where they were spending three months tracking and capturing images and sound from weather satellites, sampling sounds from guy wires in howling gales and filtering radio frequencies emitted by the Southern Aurora to manipulate and develop into video and sound installations. The residency was initiated by the artists following Hinterding’s participation in the ANAT National Summer School in ’97.

Participating curators and artsworkers for med•ia te were: Sharon Pacey (QLD); Beth Jackson (QLD); Michael Dagostino (NSW); Brad Webb (NSW); Jacqueline Phillips (NSW); GeraldineTyson (NT); Adele Hann (SA); Jenny Aland (SA); Sally Rees (TAS); Tessa Dwyer (VIC); Kylie Message (VIC); Michelle Glaser (WA); Katie Major (WA)

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