Tag Archives: performance

INPUT FIELD FORM #2 NYC DINNER

Please join us for an intimate sit down dinner
created and realized by Ursula Endlicher
curated by Amanda McDonald Crowley / Public Art Action
hosted by Asher Remy-Toledo / Hyphen-Hub

INPUT FIELD FORM #2 NYC DINNER
a magical evening of edible HTML
a post digital dinner

When: Wednesday November 14, 2018, 19:00 – 22:00
Location: At a duplex loft in Chelsea / exact address will be sent to you by ticket purchase

This will be an intimate, seated dinner with a very limited number of guests
Reserve your seat at the table

come prepared to participate in a conversation about the future of foodinformed by Ursula’s most recent project in her edible HTML series of projects

INPUT FIELD FORM DINNER – a five course meal serving edible HTML paired with wine tastings

Schedule:
19:00 ARRIVAL
19:15 ENTER the room and prepare with a contextual introduction by your host/s
19:30 BEGIN the INPUT FIELD FORM journey with an introduction by Ursula [course #1]
19:45 COMMENCE the conversation by taking a seat at the table
20:00 INPUT FIELD FORM DINNER course #2
20:15 INPUT FIELD FORM DINNER course #3
20:30 INPUT FIELD FORM DINNER course #4
20:45 INPUT FIELD FORM DINNER course #5
21:00 CONTINUE the conversation over wine
21:30 /END

Please join us!

Ursula Endlicher www.ursenal.net
Amanda McDonald Crowley / Public Art Action
Asher Remy-Toledo/ Hyphen-Hub
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Our Haus

Our Haus

ACFNY_Entrance 1

10th Anniversary Exhibition
THURSDAY MAY 17 – SUNDAY AUG 26, 2012

Presented by the
Austrian Cultural Forum New York

Artists: SABINE BITTER/HELMUT WEBER, JUDITH FEGERL, RAINER GANAHL, MATTHIAS HERRMANN, JOHANNA KANDL, MATHIAS KESSLER, FABIAN PATZAK, RAINER PROHASKA, TIME’S UP, WOCHENKLAUSUR

The Austrian Cultural Forum has launched the exhibition Our Haus in celebration of its ten year anniversary. Curated by Amanda McDonald Crowley, Our Haus forgoes a typical survey, instead examining the many facets of the Forum’s mission as a place for the presentation of contemporary culture, as a center for the discussion of ideas and establishing cross-cultural relationships. These aspects are presented through recent and newly-commissioned works by ten artists with ties to Austria and New York, who employ the landmark architecture of the Forum to explore themes that celebrate the history and mission of the ACFNY and its role within the city.

The show’s bilingual title, Our Haus, speaks to these bilateral cultural navigations. The works included in Our Haus explore the relationship between the building and it’s environment and the architecture of New York, while simultaneously providing the audience with an invitation to participate in the discussion. Our Haus is an exhibition that recognizes the ACFNY as a cultural center, but also as a space for conversation, contradiction, intimacy, and conviviality.

“Unattended Luggage” by Time’s Up gives visitors a chance to explore personal aspects of immigration and home (photo by twi-ny/mdr)

“Unattended Luggage” by Time’s Up gives visitors a chance to explore personal aspects of immigration and home (photo by twi-ny/mdr)

Curators-Statement_OurHaus

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Performance: Rainer Prohaska, Cuisine à tous les étages | Austrian Cultural Forum New York , May 2012

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MIXER

mixerMIXER (2007-11) was Eyebeam’s event series showcasing audiovisual performance and interactive art curated and produced by Paul Amitai.

Each MIXER event featured live performances by video artists, musicians, VJs and DJs, as well as innovative new interactive artwork by Eyebeam artists and the NYC community that require audience participation and ancourage creative play. Each MIXER was organized around a theme – from the mythical NYC underground to the World’s Fair to the Olympics. Hybrid in format, and Eyebeam in spirit – collaborative, spontaneous and a little off-the-wall – MIXER electrified Eyebeam’s vast former Chelsea space for an art party quite unlike any other.

http://eyebeam.org/programming-series/mixer

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Alchemy: Masterclass for New Media Artists + Curators


alchemy

In 2000 ANAT (Australian Network for Art and Technology) convened ALCHEMY: the International Masterclass for New Media Artists and Curators.

The Masterclass took place in Brisbane in May and early June 2000. 16 tutors and 42 participating artists and curators explored new media practices, critical concepts for cross cultural collaboration and generally had an extraordinary time exploring with and playing in the newly opened Brisbane Powerhouse – Centre for the Live Arts, who partnered with ANAT on the realisation of this project.

Participants had 24 hour access to the equipment and the building and the project provided participants with an incredibly rich learning environment, both technically and conceptually. The masterclass engaged with a diverse range of topics. Themes included: science discourse; curatorial practice; net art practice; Indigenous and regional Asia Pacific issues; and performance and hybrid practices.

Participants for Alchemy were selected from a call for proposals distributed internationally in late 1999. The participants were chosen through their proposals, with reference both to the thematics and with geographical and cultural considerations also taken into account.

Alchemy participants:

Brook Andrews (NSW) Caroline Farmer (SA) Christian Thompson (Vic)
Clare McGrogan (Qld) Dena Curtis (NT) Gongxin Wang (China)
Hartanto (Indonesia) Jenny Fraser (Qld) Jo Law (WA)
Keith Armstrong (Qld) Kim Machan (Qld) Mae Adams (Vic)
Megan Rainey (SA) Monica Narula (India) Patricia Adams (Qld)
Raewyn Turner (NZ) Rebecca Youdell (Qld) Sam James (NSW)
Sarah Neville (SA) Shilpa Gupta (India) Steve Bull (WA)
Bruce Gladwin (Vic) Chris Dempsey (Qld) Christiawan (Indonesia)
Deborah Lawler-Dormer (NZ) Edwina Bartleme (Qld) Grisha Coleman (NY)
Jane Schneider (Qld) Jernej Kozar (Slovenia) Kamal Krishna (Qld)
Kelli Mccluskey (WA) Lisa Anderson (Qld) Jernej Kozar (Slovenia)
Mari Velonaki (NSW) Mike Stubbs (UK) Partha Pratim Sarker (Bangladesh)
Peter Toy (WA) Raul Ferrera (Mexico) Rolando Ramos (NSW)
Sarah Ryan (Tas) Sheridan Kennedy (NSW) Sophea Lerner (NSW)
Vanessa Mafe-Kean (Qld)

Tutors for the ALCHEMY MASTERCLASS:

Alexei Shulgin (Russia) Nina Czegledy (Canada) Mongrel (UK)
Geert Lovink (Aust and Netherlands) John Tonkin (Aust) Rea (Gamileroi/Wailwan)
Shudahabrata Sengupta (India) Sara Diamond (Canada) Marko Peljhan (Slovenia)
Tess de Quincy & Laura Jordan (Aust) Blast Theory (UK) Mike Stubbs (UK)

The project provided for an intensive and productive period for exploration, conversation and the generation of dialogue and new ideas. The masterclass included daily presentation and discussion periods, workshops, skillshares, and skills development opportunities. Weekly BBQ and performance events provided opportunities to network with local Brisbane artists and curators; evening events provided opportunities for lead tutors to present their work in public forums, and a performance evening at the conclusion of the masterclass provided participants with the opportunity to present work in progress to the greater Brisbane community. Technical Management: Martin Thompson; Project Management: Charity Bramwell; Project and Technical assistant: Tim Plaistead.

http://Alchemy.anat.org.au
http://alchemyinfo.anat.org.au
Please note these are historical sites – some links may no longer work

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