Tag Archives: Public Art

Agrikultura

SAVE THE DATE: Agrikultura opens on July 1, 2017 in Hyllie, Malmö, Sweden.

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Kulturföreningen Triennal is delighted to announce that Agrikultura, an exhibition of public artworks, installations, meals, performances, urban interventions, mobile kitchens, and events to take place outdoors in Hyllie, Malmo, opening on July 1, 2017 and running until August 27, 2017.

The Agrikultura curators are Marek Walczak and Amanda McDonald Crowley. The project will be realized and installed on 8 hectares of the future “English Park” in Hyllie.

Some of the questions we wish to address with the project include: What is our present relationship to the land? How can we augment and redefine our cultural and emotional connection to a nature that we have over-extended? How can we re-engage with a nature we have pushed ever further from our lives?

Walczak and McDonald Crowley developed an open call for proposals. “We were honored to receive 120 submissions from artists from Sweden, Nordic Countries, and all across the globe. From that, we have shortlisted some 32 projects for possible inclusion in the event.”

While we are still finalizing the list of projects we are pleased to announce several:

OSS Holma Healing Garden: Juanli Carrión (ES/US) will work with citizens of the adjoining Holma neighbourhood to build a healing garden of medicinal plants.

Strange Harvest: Rainer Prohaska (AT) will establish a temporary cooking-lab where research will inform food experiments and cooking performance will take place.

Edible Carpet: Åsa Maria Bengtsson (SE) will build a rolling mat – a magic carpet – of salad greens and edible flowers planted in oriental patterns, that can be harvested for meals.

Cluster: Mary Mattingly (US) will build a forest edge landscape of edible plants.

Tree of 40 Fruit: Sam van Aken (US) will grow a single tree that grows 40 different varieties of stone fruit including peaches, plums, apricots, nectarines, and cherries; and one that grows 40 different varieties of apples.

Den Javla Marmeladfabriken: Helle Robertson (SE) will invite audiences to forage in the city for fruits, by knocking on the doors of neighbours and strangers, to collectively make jam, and build community.

A key goal for Agrikultura is to imagine sustainable solutions to food in cities. We will explore permacultural solutions – systems of agricultural and social design principles centered on simulating or utilizing patterns and features observed in Swedish ecosystems. Artists will work with city gardeners, youth groups, and citizens to reimagine urban landscapes taking into account ecological design and engineering, integrated water resource management, and sustainable landscape design to develop regenerative and self-maintaining habitats.

The opening will be held outdoors with food grown in the area, and the meal itself will be designed and realized by artists, where local food producers, chefs, and artists work collaboratively to develop a performative festive feast.

We aim to create a unique experience, that will not only be beautiful but that will engage our audiences in meaningful ways to think about what practical roles we might play in imagining the future of our food systems, in expansive, sustainable, and delightful ways.

We hope you can join us!

Marek Walczak, Amanda McDonald Crowley, and the Kulturföreningen Triennal team.

Agrikultura will be realized with generous support from Malmö Kulturstödet, Kulturförvaltningen; Kulturnämnden Region Skåne; and Malmö stad.

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Interview about Swale in am New York

Swale, Mary Mattingly‘s most recent massive undertaking – a public artwork, and floating food forest, is due to open at Concrete Plant Park in the Bronx on Saturday July 23, 2016, where it will dock for a month before moving on to other locations around New York Waterways. I’m working with Mary and her team to curate public programs at our docking locations, and caught up with Meredith Deliso of am New York to talk about the project on Mary’s behalf.

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Swale Kickstarter

I’ll be working with Mary Mattingly and her AMAZING team on her SWALE project this coming summer.

I’m excited to let you know that we JUST launched a Kickstarter campaign for Swale.

Swale is a public floating food forest in New York City. In the summer of 2016, people will be able to visit a barge growing edible, perennial plants, and even harvest food.

If we meet our fundraising goal, we will be ready to launch in June.

Here is a link: https://www.kickstarter.com/projects/1152620801/swale

We’d be so thrilled if you might be able to get involved in the project, even in a small way. And we’d also be grateful if you could share this link with your friends and colleagues.

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With Swale, we want to ask, what if healthy, fresh food could be a free public service, and not just an expensive commodity? It’s important that this project happens on NYC’s water for several reasons:

      • It can move! We can visit different boroughs and the areas surrounding the city.
      • Alongside rain water, we can utilize the river water, purify it, and grow food with it.
      • You might know that all waterways are actually a form of commons: In New York’s case, they are overseen by many agencies, but not owned by anyone in particular, which is one of the reasons we have launched Swale on the water. It isn’t yet legal to grow public food in public spaces in New York City, but on a floating island… well, we’re pushing the boundaries of public space!

Swale is working on several different fronts at the same time.

1. We are co-creating a floating food forest.

2. We are working with community groups in each place we are able to dock, to establish permanent food forests on NYC’s publicly owned land.

3. We are working towards galvanizing enough support to advocate for policy change; for a city where public food is incorporated into the urban plan.

Reinforcing water as a commons also gives us more of a chance to look after them. We believe that the more we look after our common spaces, the more that they look after us.

Follow along as we develop our docking schedule: http://www.swaleny.org

Mary’s built an amazing team, and A Blade of Grass have provided her with a fellowship to begin the process : but its going to take YOU to help us make it REAL…

Please join us on the journey!

Amanda, Mary, and the SWALE team!

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Public Art Action Coalition: Tarndanyungga Action

Public Art Action Coalition
Press Announcement
10 March 2002

On Saturday night, 9 March 2002, the Public Art Action Coalition removed 10 of the Victoria Square street signs in the heart of Adelaide and replaced them with signs reading Tarndanyungga.

The Public Art Action Coalition, a group of Adelaide and South Australian artists from diverse cultural backgrounds supported by national and international artists, is dedicated to new visions and possibilities for representation within the public sphere. This art action was inspired by the use of the name Tarndanyungga to describe this place during the Adelaide Festival 2002.

50% of the signs reading Victoria Square were replaced. Appropriate consultation was undertaken in regard to the use of the name Tarndanyungga. None of the signs replaced has been damaged in any way and they are being returned to the Adelaide City Council.

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background

During the Adelaide Festival 2002, the centre of the Adelaide, known as Victoria Square, was called Tarndanyungga, by the organisers of the Festival for the duration of the event. This was in acknowledgment of the traditional Kaurna owners of this place, now known as the Adelaide plains.

Tarndanyungga was used as one of the key venues for the Adelaide Festival 2002.

The program began with the opening night event, Kaurna Palti Meyunna.

During the final concert in Tarndanyungga on March 9, 2002, Public Art Action Coalition undertook the action to replace 50% of the Victoria Square signs with signs reading Tarndanyungga.

Unfortunately, the Tarndanyungga signs were removed only days after they appeared and have never been reinstalled. The signs reading Victoria Square, which were anonymously returned to the Adelaide City Council, were reinstalled several weeks later The signposts remained blank for those weeks. (Presumably the Tarndanyungga signs are in a storeroom somewhere in the Adelaide City Council.)

On 27 May 2002, the Adelaide City Council passed a formal resolution to recognise both Tarndanungga and Victoria Square as names for the heart of the city of Adelaide. (see press release from 27 May 2002 “Council shows leadership in Aboriginal Reconciliation”)

At that stage no signage acknowledges this resolution.

It should be noted, however, that part of the history to these decisions was that the Adelaide City Council had established a Reconciliation Committee on 29 October 2001 (Agenda here) and have implemented a Reconciliation vision.

In 2001, the Adelaide City Council had announced Kaurna names for a number of unnamed parks surrounding the city. Unfortunately at that time, no places in the centre of the city were acknowledged as also having Kaurna names only parks on the periphery of the city.

(see press release from 14 November 2001 “Council shows leadership in Aboriginal Reconciliation”)

Photograph of Street Signage in the same location, 2011

Photograph of Street Signage in the same location, 2011

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