Tag Archives: Brooklyn

Beautiful Obsolescence

Beautiful Obsolescence
Cluster Gallery
March 2 — March 30, 2018

Opening Reception: Friday March 2, 7 — 9pm
CLOSING RECEPTION: Friday March 30, 5 — 7pm
Cluster Gallery: 200 6th Street 3E, Brooklyn, NY 11215

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I am delighted to have been invited by Cluster Gallery to curate Beautiful Obsolescence, a group exhibition featuring photographic works by Jeanette May and Adrianne Wortzel, as well as sculpture by Mary Mattingly.

Our contemporary lives are filled with redundant technologies and consumer goods. To make sense of the technologies and objects that fill our lives, the artists in Beautiful Obsolescence reimagine consumer goods. By recontextualizing our view on these objects the artists bring a fresh eye to how these objects affect us, giving them new lives.

Jeanette May’s Tech Vanitas photographs of precariously stacked gadgets address the anxiety surrounding technological obsolescence. As May observes, we live in an age filled with devices that make domestic life faster, smarter, easier, and yet, more complicated. The more we yearn to keep current — the newest phone, computer, camera, audio system, coffee maker — the more we produce, consume, and discard. Tech Vanitas references the 17th Century vanitas paintings which celebrated The Netherlands’ new wealth. Just as Dutch Golden Age still lifes portray the abundance afforded a prosperous culture, Tech Vanitas embraces luxury, honors design, and acknowledges the fleeting nature of earthly pleasures.

In Adrianne Wortzel’s EX SITU CONSERVATION: Colony Relocation for Electronic Detritus an inventory of machine parts and electronic elements are photographed as surviving artifacts of technologies facing obsolescence. Objects are arranged in nature, perhaps even as species threatened with extinction. Her photos are an ironic attempt at reverse psychology — a reverence of technology at any price to the environment.

Mary Mattingly’s DRUM from her series Blockades, Boulders, Weights is a sculpture created from mass-produced objects the artist has collected over the years. Her goal is to create structures of bundled objects so that she is really faced with everything on which she relies and consumes. “And it’s a lot”, she says. Mattingly hopes to get people thinking about what we’re taking from the earth, how we can use what we already have to our best advantage. Her sculptures show just how much we’d have to carry if we bundled our objects on own backs.

The artists in Beautiful Obsolescence simultaneously critique and celebrate the multitude of objects we accumulate, to make sense of the stuff we collect in our lives. “May, Wortzel, and Mattingly are all storytellers”, says McDonald Crowley. “Through arranging objects, they compose narratives that help us to make sense of the technologies and belongings that we gather around us, immortalizing them as art objects and compositions: what might be considered trash becomes beauty.”

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Installing at Little Metal Print with MaryKate Maher

Little Metal Print’s manager Dylan made the sweetest video of MaryKate Maher and I installing View Finder. Totally worth sharing!

 

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View Finder

Mary Kate Maher at Little Metal Print

ViewFinder_MarkKateMaherNovember 3 – December 3, 2017

11-8:00pm Tuesday-Saturday
12-5:00pm Sunday

Little Metal Print is please announce View Finder, a solo show of new works by MaryKate Maher for our inaugural exhibition. Organized by guest curator Amanda McDonald Crowley, Maher will debut new sculpture and relief forms created with dye sublimation prints.

Maher draws inspiration from nature and the post-industrial environment. Exploiting materials that reference landscape, Maher focuses on how we visually perceive space as both flat and dimensional.

Maher plays with expectations of form, and disrupts perceptions of volume and weight. She manipulates her materials to obscure their origins: resins are cast, sanded and weathered to look like stone; a patinated copper surface reveals itself to be concrete and foam; dye sublimation prints are cut and inlaid into sculptural forms, altering the negative space.

For View Finder, Maher is presenting new relief works based on light refractions in water and frozen air pockets in ice. “I am interested to experiment with light to produce unique sculpture reliefs that have slight bends and curves to their form,” says Maher.

McDonald Crowley says “for this first exhibition at Little Metal Print, it is really exciting to be working with Maher who is pushing the custom printing techniques offered at the studio, and manipulating materials to make forms that are at once beautifully poetic and simultaneously disconcerting in their abstraction. The works allude to the vastness of open landscapes, but it is unclear whether it might be tundra, or desert; sky, sea, or ice. Maher finds beauty in both natural and industrial landscapes which is expressed through her color palette, and collaging techniques.”

Opening Reception
November 3, 2017 6-8:00pm
Artist Talk
November 19, 2017 2:00pm

Little Metal Print is the brainchild of fine-art printer Ken Allen of Ken Allen Studios. He says “I am very excited to be the first to bring a brick-and-mortar store to Williamsburg, where people can see and be part of the process of creating little metal prints for themselves.”

Media Contact: Dylan Staniszewski
917 – 588 – 5294
dylan@littlemetalprint.com

Installation shots. Photos by Dylan Staniszewski

Studio visit with Mary Kate: video by Dylan Staniszewski

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The Skypod Project

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The Fifth House and PointB are pleased to announce the exhibition The Skypod Project, an exhibition of sculpture, photographic, and audio-visual works by artist Mark Parrish.

Open Reception:
Friday, September 16th, 7 – 11 PM

Fifth House 198 N. 4th St, Brooklyn, NY
near the Bedford L Train Station

The Centerpiece of the exhibition, the Skypod itself is a collapsible light-weight tent structure capable of hanging from trees, cliff faces, telephone poles or building facades allowing for suspension over diverse terrains.

This portable experience structure creates a mobile habitat for site-specific projects to evolve. At The Fifth House we will exhibit a working prototype of the Skypod that explores the context for the piece and situates the research Mark is concurrently doing at Dreamland – a creative community, the Fifth House’s sibling organization, in the deep woods of upstate New York. Night skies, frog songs, Vista Tunnels (constructed poetics views into the wetlands and woodlands at Dreamland) will frame the work.

Inspired by recent trips to various locations around the world where he has been researching urban and natural settings for artistic and creative retreats, Parrish has returned to a project that has long been in gestation: designing portable habitats where individuals or like-minded groups can immerse themselves in a range of contexts from natural settings, to interstitial zones, and temporary spaces – to create, contemplate, and build cohesive communities.

“Parrish builds social sculptures, in a very literal sense”, says curator for the exhibition, Amanda McDonald Crowley. “Moreover he equally activates personal experience and group dynamics. It is exciting to see him alternate this thinking between urban contexts and out into nature – where so many of his personal creative interventions have operated in intimate settings – while continuing to develop conceptual frameworks that are equal part about social interaction, and solitary contemplation.”

The Skypod Project, Parrish’s first solo gallery exhibition in 20 years, combines his experiences building social sculptures as live-work spaces, with his ongoing project to make in-situ works in natural contexts, and his passion for creating ‘portable experience structures’ – artworks that operate as an enabling apparatus for his audiences, and often also collaborators and co-conspirators, to engage with their surroundings.

Artist: Mark Parrish
Creative Collaborator: Sebastian Bach
Curator: Amanda McDonald Crowley
Project Manager: Lauren Comito

All-Night Party at Marcy North (upstairs) to follow the opening!

Exhibition dates: September 16 through October 30. Gallery Hours are Saturdays from 11:00 am-1:00 pm or by appointment.

About Mark Parrish
Mark Parrish is an American visionary, designer, and artist from Texas who has lived in New York since the 80’s. Primarily self-taught, Parrish started his own studio in Austin in the mid 70’s. His practice often involves analysis of movement and portability, cultural norms and systems of living. His work takes form in sculptural systems and synergetic architectural space, designed both as tools and as experiential spaces. For the last 20 years, Parrish founded and established an international artist community called PointB, which created short-term co-habitational spaces for mid-career creative professionals. Parrish also spearheads, the non-profit organization, PointB International, which continues to establish new locations worldwide.

About PointB
The PointB vision is a world enriched by the collaboration between global and local creative professionals questioning and transcending their familiar viewpoints while immersed in the social, scientific, and culturally enlightening challenges and inspiration of the moment.

Gallery Hours are Saturdays from 11:00 am-1:00 pm or by appointment.

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PointB Virtual

PointB Virtual

 

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The PointB Virtual Exhibitions Space is being developed as an accessible space to easily conceptualize and virtually install thematic exhibitions, with the goal of becoming a platform for peer to peer artists’ inspiration and discourse.

In one sense PointB Virtual commemorates and immortalizes the PointB Worklodge Brooklyn location, that will soon be demolished. But more importantly, it is a tool to showcase ideas, directions and philosophies through exhibitions, lectures, screenings and conversations. These events are not being held in an unfamiliar simulated space, but in a place which holds memory of those who have previously inhabited and used the building in this way.

In keeping with PointB philosophy, it is a place to propose and question conceptual frameworks for ongoing discourse though themed exhibitions. It is a space to continue to build and strengthen our community of nomadic creative professionals.

For our inaugural exhibitions, we have included works by artists from across the world who have lived and worked at PointB Worklodge Brooklyn.

The first three thematic exhibitions have been developed around the following themes:

Exhibition 1 Network
Exhibition 2 Transcendence
Exhibition 3 Discovery

Exhibitions Feature the work of: Carlos Aquilino, Jana Astanov, Sandra Becker, Sue Beyer, Louise Blyton, Gene Buser. James Carman, Luzia Castaneda, Claudia Christoffel, Lauren Comito, Maud Cotter, Hugo Curti, Jacob Dahlstrup, Uday Dhar, Maria Dorner, Hilda Ekeroth, Michael Fritsch, Jan Gilbert, HC Gilje, Erika Gofton, Eugenia Gortchakova, Elizabeth Gower, Anita Groener, Libby Heaney, Gavin Hogg, Hamu Isen, Svetlana Jovanovic, Ienke Kastelein, Michiel Knaven, Stefan Kürten, Susana Lopez Fernandez, Jennifer Macklem, Peter Martensen, Patrick Meagher, John R Neeson, Serge Onnen, Ardan Ozmenoglu, Cat Poljski, Manuel Quintana-Martelo, Arp Raph, Antje Rieck, Joerg Schwalfenberg, Julia Schwalfenberg, Andy Slater, Patricio Tasisto, Ralf Tekaat, Antoine Toniolo, Cornelius Völker, Andy Wauman, Cleo Wilkinson, Heidi Yardley, Claire Zakiewicz

Exhibitions Organised by: Sebasian Bach, Lauren Comito, Amanda McDonald Crowley and Mark Parrish

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