Tag Archives: Bemis Center

Cey Adams | LOVE mural

Cey Adams: LOVE mural

 

LOVE Mural, Cey Adams, 2014 located at 24th and Lake Streets, North Omaha, NE

LOVE Mural, Cey Adams, 2014
located at 24th and Lake Streets, North Omaha, NE

At my invitation, NYC native, Cey Adams, undertook a residency at the Bemis Center for Contemporary Art in Omaha, Nebraska. A key output of his time as a Bemis Center artist-in-residence was a mural commission in the North Omaha cultural precinct at 24th and Lake Streets. Adams worked with local artists Dereck Higgins, Ben Jones, Aaryon Williams, and Olivia Groth, and with the support of students from Omaha-area high schools to realize the work. Local artist Michelle Troxclair provided logistical support and photographers John Shartrand & Mike Machian documented the process.

As described by Adams, the 24th Street Love Mural captures the hopes of the community for the future while also referencing its past, in the form of famed North Omaha jazz musician Preston Love.

Adams talks with local news station KTMV about the project.

A special thanks to the Omaha Public Art Commission and to Love’s Jazz & Art Center for their support of the project.

Residency

In addition to dtbrands_banner_900eveloping and realizing the LOVE mural, Adams developed a new body of work as part of his studio residency at Bemis Center. Titled Trusted Brands. This work was subsequently exhibited at Rush Philanthropic Arts in New York.

 

 

Adams also realized a workshop series The Art and Design of Hip Hop at Carver Bank, targeted at North Omaha youth, and spoke at schools and youth centers across Omaha on his work and career. Cey also found time to mentor students at the concurrent Urban Design Lab project at Bemis Center (led by resident artists Chloe Bass and Teal Gardner). Journalist Casey Logan captures his encounter with local student, Solomon Washington, in A Laboratory Experience at Bemis Center in Omaha Go.

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UDL CEY

 

 

 

 

 

Adams returned to Omaha to present an additional body of work, Brand New, at The New BLK Gallery expanding upon the work he did during the residency, and building on the deep connections he made in the city.

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Emilie Baltz | Circuit of the Senses

Emilie Baltz: Circuit of the Senses

 

Sound. Photo by Colin Conces

Sound. Photo by Colin Conces

In late 2014, I invited artist Emilie Baltz to undertake a residency at the Bemis Center for Contemporary Arts in Omaha, Nebraska, to develop a work that would engage Bemis patrons and community members to re:imagine the role that art plays in daily life by transforming a fundraising gala dinner, and a community party, into an artwork that was simultaneously a creative playground filled with edible delights. Inspired by Kafka’s definition of theater as “melting the ice within, of awakening dormant cells, of making us more fully alive, more fully human, at once more individual and more connected to each other,” Circuit of the Senses was a 5-course interactive dinner conceived by Emilie during her residency, in collaboration with chef Paul Kulik – chef and restaurateur at Boiler Room and le Bouillon, mixologist Luke Edson and local artists, Amanda DeBoer Bartlett, Dereck Higgins, Mark Powers, Tbd Dance CollectiveJason Webb and Bemis resident Claudia Bitran.

This 120 person dinner party was held in the main galleries of the Bemis Center engaged gallery, completely transformed by Emilie and her collaborators into a magical playground. Guests were assigned individual paths through the galleries and encounter interactive courses inspired by the five human senses: roasting marshmallows and hot dogs on singing grills, eating from bowls spinning on transparent ice tables, feeding from a live table and dining on clouds of rosemary vapor. Participants were encouraged to touch, taste, smell, see and listen together as a community.

The Circuit embodied Emilie’s vision of creating experiences that stimulate playful, multi-sensory interaction that re-train adults in childlike discoveries of the world and reawaken curiosity in the everyday.

Produced by Bemis Center for Contemporary Arts.

Curated by Amanda McDonald Crowley.

©Colin Conces

©Colin Conces

Sight. ©Emilie Baltz

Sight. ©Emilie Baltz

Sight. ©Emilie Baltz

Sight. ©Emilie Baltz

Sight. ©Colin Conces

Sight. ©Colin Conces

Sight. ©Emilie Baltz

Sight. ©Emilie Baltz

©Emilie Baltz

©Emilie Baltz

Smell. ©Emilie Baltz

Smell. ©Emilie Baltz

Smell. ©Emilie Baltz

Smell. ©Emilie Baltz

Sound. ©Colin Conces

Sound. ©Colin Conces

Sound. ©Emilie Baltz

Sound. ©Emilie Baltz

Sound. ©Emilie Baltz

Sound. ©Emilie Baltz

©Emilie Baltz

©Emilie Baltz

Touch. ©Emilie Baltz

Touch. ©Emilie Baltz

Touch. ©Emilie Baltz

Touch. ©Emilie Baltz

Touch. ©Colin Conces

Touch. ©Colin Conces

Touch. ©Emilie Baltz

Touch. ©Emilie Baltz

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Janette Beckman: Rebel Culture

Janette Beckman: Rebel Culture

 

Janette Beckman, Salt n Pepa, NYC, 1987

Janette Beckman, Salt n Pepa, NYC, 1987

Rebel Culture: Legends of Hip Hop and the Go Hard Boyz (Harlem Bikers)
September 02 – December 20, 2014
Location: Carver Bank | Bemis Center for Contemporary Arts, Omaha, NE
Artist Talk: Friday, September 19 | 7:00pm

Bemis Center 2014 artist-in-residence Janette Beckman has always had a fascination with alternative music scenes and street culture. With an eye for rebel culture, she often works on city streets, particularly those of New York, her adopted home.

The photographs in this exhibition include some of the most iconic images ever created of the early days of hip hop—including early images of Run DMC, Big Daddy Kane, Salt-N-Pepa, and a young LL Cool J.

Beckman came to New York in 1982, at a time when hip hop was in its infancy. Beckman recalls that she “fell right into the emerging hip hop scene, trains covered in graffiti, kids with boom boxes rhyming on the subway, street vendors selling hoop earrings and mix tapes.” Beckman’s photographs are characterized by her ability to capture the raw essence of her subjects.

Most recently, Beckman’s passion for street culture has led her to focus on the Harlem Go Hard Boyz dirt-bike club riders as subjects for a new body of work. Through her photographs, blending documentary honesty and formal rigor, Beckman captures the spirit and attitude that has brought the Go Hard Boyz a measure of national recognition.

Beckman’s approach to her photographic practice is really a collaboration between Beckman and her subjects. She doesn’t dictate or arrange her shots, but works with her subjects to capture moments of honesty, where the subject, not the photographer comes to the fore.

Janette Beckman, Rebel Culture, gallery brochure.

During her residency at the Bemis, Beckman also collaborated with local poet and Spoken Word performer Felicia Webster on “Photojournalism and Spoken Word Stories,” a series of workshops for area teens. Using digital cameras, the teens compiled images of their daily lives in North Omaha into a photo documentary, which integrated written and spoken word poems to express the reflections of their journeys.

Residency projects:

During her residency, Beckman spent time hitting the streets of Omaha in search of subjects: her practice has always been to get to know local people and explore contexts in which they live and work. She arrived in town just in time for the labor day parade, and did a wonderful portrait of local BBQ king, George Perkins and his wife Ossy, as well as a beautiful series of her concurrent residency cohort at the Bemis Center.

Finding that Omaha is not a city with a lot of pedestrian traffic, Beckman strategized and found ways to meet new people at events and gatherings. Her shoot of the Heavy Rotation Biker BBQ and an Omaha Intertribal Powwow beautifully capture her take on these Omaha gatherings.

 

About Janette Beckman
Londoner Janette Beckman began her career at the dawn of punk rock working for The Face and Melody Maker. She shot bands from The Clash to Boy George as well as three Police album covers. She later moved to New York at the dawn of the hip hop era, becoming one of the leading documentarians of the movement. Her photographs have been exhibited at HVW8 (Los Angeles), Analogue (Toronto), Belleville (Paris), Project Space (Los Angeles), Blender Gallery (Sydney), and Proud Gallery (London), among others. Her work has been collected in three volumes, including:Made in the UK: The Music of Attitude, 1977-1982 (PowerHouseBooks 2005); The Breaks, Stylin and Profilin 1982-1990 (PowerHouse Books 2007); and El Hoyo Maravilla (Dashwood Books 2011).

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Chloë Bass & Teal Gardner | Urban Design Lab

Urban Design Lab

UDL_roomshotUrban Design Lab
Bemis Center for Contemporary Arts, Omaha, NE
July 15 – November 1, 2014

In Summer 2014, I invited Chloë Bass and Teal Gardner to participate in the Bemis Center artist-in-residence program where they collaborated with 18 local researchers to shed new light on the nature of our urban landscape. Recruited from local high schools, the researchers first completed research for the Department of Local Affairs. Each teen filled out one of the templates listed below, sharing information about his or her experience of Omaha: making a map, designing a pamphlet, writing a review or offering advice. The shared information ranged from an account of where one student’s relatives lived in the context of her neighborhood to advice about how (and how not to) use particular parks for social activity.

Once trained in the Department of Local Affairs’ interactions and processes, researchers went into the community and asked local residents and workers to share information with the Department. One research day focused on the Old Market area, where teens engaged people at the Omaha Public Library, a coffee shop, an antique store and on the street. The second research day was focused in North Omaha, where teens collected information from people at Carver Bank, Love’s Jazz and Art Center and the Union for Contemporary Art.

Bass then organized the collected materials into a subjective guidebook. The Department of Local Affairs office installation is on view as part of the Urban Design Lab exhibition at the Bemis Center.

The Lab participants, who were recruited from local high schools, toured various parts of the city as field researchers and then synthesized their data in the Bemis’s gallery space, which consists of two parts: Chloë Bass’s The Department of Local Affairs and Teal Gardner’s Reading the City.

At the end of each week of data collection through Department of Local Affairs and Reading the City, the researchers worked as teams to develop as an intentional form of play. They were charged with the task of repurposing the sights and sounds they recorded into new tools and bodies of work, which will be offered to other visitors and participants in this space throughout the exhibition.

Taken as a whole, the Urban Design Lab provides deep, media-rich data about the city in which we live, as well as a new synthesis about the meaning of that data. As a place where new ideas and work are created, the Lab also echoes the ongoing creative processes that are at the heart of the Bemis Center’s internationally-recognized artist residency program.

The outcomes of research were shared at a Presentation Day on August 5, 2014

Curriculum
Department of Local Affairs
Reading the City workshops
Maker Days

Chloë Bass also realized her Department of Local Affairs over the summer of 2014 with the Laundromat Project, and also wrote a series of posts, Learning Omaha, on Hyperallergic during her residency.

About the Artists
Chloë Bass
In creating conceptual art (performances, situations, installations, publications), Chloë Bass’s goal is to investigate the potential of the everyday as a catalyst for intimacy. She is captivated by the common denominators of the human experience, such as the things that people always do, and she seeks to highlight the seemingly normal as a means of questioning its stability. Bass’s primary medium is people, and she uses performance as a metric to evaluate the successful function of interaction and engagement – person to person, and between people and their surroundings – rather than a spectacle for passive enjoyment. The artist has been a resident at POGON (Zagreb, Croatia), D21 Kunstraum/5533 art space (Leipzig, Germany and Istanbul, Turkey) and Eyebeam (NY, NY) and has shown her work at venues such as the Neuberger Museum (Purchase, NY), Künstlerhaus (Stuttgart, Germany), Kunstkammer AZB (Zürich, Switzerland) and the Contemporary Art Institute of Detroit (Detroit, MI). Selected profiles of her work have appeared in BOMB, Entorno, ArtInfo, Art Observed, the New York Times and Hyperallergic. She is the recipient of a 2013 Fellowship for Utopian Practice from Culture Push and a 2011 & 2012 Rema Hort Mann Foundation Individual Artist Grant Nominee. The artist earned her BA in Theater Studies from Yale University and an MFA in Performance and Interactive Media Arts (PIMA) from Brooklyn College.

Teal Gardner
Teal Gardner’s work centers around an interest in children’s play and the conceptual and physical spaces that are available for that play. The political, social, aesthetic and ecological facets of children’s play environments provide ample fodder for her investigation. Through a practice that is concerned with praxis, she utilizes social scenarios to bring about action. This can mean installing a show with children as collaborators or transforming a gallery space into a ‘free play zone’ and inviting the community to participate. Gardner binds together this work with writing, informed by research into pedagogy, design, landscape architecture, public policy, neuroscience, developmental psychology, ecology, philosophy and art history. A former fellow at the Union for Contemporary Art in Omaha, the artist attended the University of Nebraska, Lincoln, where she majored in Anthropology with minors in English and Art.

Lead Researchers
Nia Allison
Giovanni Barraza
Serenity Bryce
Hayley Danielson
Tori Dunston
Ta’Riance Harris
Michaela Hawkins
Cecilia Hoggatt
Tasheonna Lewis-Kent
Imani Murray
Eva Philips
Ana Pineda-Gutiewez
Daniel Pinto
Luis Salazar
Eros Shreve
Eva Taylor
Claire Tweedy
Brent Walker
Solomon Washington
Owen Zahm

The Urban Design Lab is generously supported by Lincoln Financial Foundation.

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2013 Carver Bank Residents Exhibition

2013 Carver Bank Residents Exhibition

 

Dereck Higgins, Test Pressing Collages, 2012-1014

Dereck Higgins, Test Pressing Collages, 2012-1014

May 30 – August 16, 2014
Location: Carver Bank | 2416 Lake Street

North Omaha is in the middle of an important cultural resurgence and the inaugural Artists-in-Residence at Carver Bank are working at the heart of the endeavor. Taken collectively, visual artist Bart Vargas, musicians Dereck Higgins and Shannon Marie and poet Portia Love provide an opportunity to understand larger changes taking place in the community. Each of these artists work within artistic traditions that have existed in and around North Omaha for decades, but now are doing so in ways that bring fresh vitality and connection to the concerns of the present day.

The work of these four artists provide an ongoing opportunity to explore the creative impulse in North Omaha in the early part of the twenty first century.

 

 

2013 Carver Bank Residents Exhibition Artists:
Dereck Higgins is a well-recognized bassist in prominent Omaha-based bands. Since the 1970s, he has been involved in a variety of bands and musical styles, including rock, jazz, punk, electronic and funk. His current musical projects include InDreama—an experiment in psychedelic soundscapes, pop music and visual performance — and Rikk Agnew Fiasco, Paddy O’Furniture and Cleemann. His former bands include Norman & the Rockwells, Digital Sex, RAF, Disco Ranch and Son Ambulance. Higgins has performed throughout the USA, Europe and Japan and has appeared with artists such as REM, The Dead Kennedys, Weird Al Yankovic, Melt Banana and Laraaji. In 2004 Higgins launched his own record label, DVH Recordings and has released four titles to a small, worldwide fan base. Artwork for the label features Higgin’s collage art. He has also 
worked in wardrobe creation and supervision 
for films including “Lovely, Still,” “April Showers” and “The Scientist.”

Portia Vivienne Love teaches writing workshops to children, teens, adults and seniors for the Bemis Center for Contemporary Arts, WhyArts?, Girls Inc., Boys & Girls Clubs of the Midlands, Metropolitan Community College, University of Nebraska at Omaha and the Joslyn Art Museum. She was awarded a grant by the Nebraska Arts Council to publish the poetry book “Eclipses of the Sun” and has also published numerous poems in The Omaha Star, Alzheimer’s Association of the Midlands Caregiver newsletter and Creighton University’s Shadows Magazine. Her short story, “Stories My Grandmother Told Me,” won an award from Creighton University. She is the owner of Just Write 4 Me, which features poems made into works of visual art. Love sang with her father’s band for over 10 years and continues to sing throughout the Omaha area. She was born in Omaha, Nebraska.

Shannon Marie is a hip-hop and R&B artist who has gained thousands of fans from her live performances, music videos, features, mixtape and EP. She was a natural entertainer at a young age and has evolved into a versatile musician who excels at rapping, singing, performing and writing. The content of her lyrics often focuses on female independence, determination, relationships and braggadocio. Marie’s work is recognized for its addictive hooks, crowd-moving performances, and rhythmic and creative punch lines. Her music has been played internationally with fan bases in Germany, China and Africa. Marie has opened for numerous artists such as Lil’ Kim, Bow Wow, Wale, and Kirko Bangz. A self-taught artist who is influenced by Missy Elliott and Ester Dean, she has been compared to Nicki Minaj and Rasheeda.

Bart Vargas explores the artistic potential of trash and recyclable materials to build paintings, sculptures and installations that blur the identity of these everyday materials, transforming them into playful, thought-provoking objects. He has exhibited internationally, and his work can be found in many collections throughout the United States, Europe and Asia. Vargas’s works have been featured in national publications, and he received a 2010 Outstanding Student Achievement in Contemporary Sculpture Award from the International Sculpture Center. The artist has also participated in the 2010 Beijing International Art Biennale (BIAB), as well as the 2012 Santorini Biennale of Arts in Santorini, Greece. He received a Bachelor of Fine Arts degree from the University of Nebraska at Omaha and a Master of Fine Art at the University of Minnesota-Twin Cities.

Carver Bank:
Carver Bank is  a project developed by Theaster Gates – Chicago-based artist, cultural planner and performer – with the Bemis Center for Contemporary arts and was supported by ArtPlace America. Additional support was provided by The Sherwood Foundation, the Robert Rauschenberg Foundation’s Artistic Innovation and Collaboration Program, the City of Omaha, the National Endowment for the Arts, and Bemis Center Board members.

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Flock House Project Sets Up in Old Market and North Omaha

Flock House Project KMTVJustin Pazera, of KMTV in Omaha speaks to Mary Mattingly and Amanda McDonald Crowley about Flock House Project Omaha.

by Justin Pazera CREATED May 8, 2014

News article is available on the KMTV site.

 

 

 

 

Justin Pazera returned to the Old Market to talk with us as the Flock House Omaha was being installed.

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Bemis Center interview on KETV Omaha

Adam Price and I are interviewed on KETV Chronicle – Omaha Arts Scene, speaking about the Bemis Center for Contemporary Art.

 

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interview on KETV

 

 

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Mary Mattingly: Flock House Project: Omaha

Mary Mattingly: Flock House Project: Omaha

bemis_logo

Mary Mattingly’s Flock House Project: Omaha, was a city wide workshop and exhibition developed during her residency at the Bemis Center for Contemporary Art, in Omaha, Nebraska.

What if migratory homes with autonomous systems for rainwater collection and food production were the building blocks of the city of the future? Inspired by patterns of global human migration and pilgrimage, the Flock House Project is a group of mobile, sculptural, public habitats and self-contained ecosystems that are movable, modular, and scalable.

This multi-phase project was part fantastic and part practical. It kicked off in Omaha on March 13, 2014, with an exhibition of Mattingly’s work at the Bemis Center. The exhibition included selected works from her Island (2009-2011), Anatomy of Melancholy (2007-ongoing), Second Nature (2006), Nomadographies (2009-2011), House and Universe (2013); and Wearable Portable Architecture (2011) bodies of work, as well as new works for her Tools series made at the Bemis Center. The centerpiece for the exhibition was one of the three portable structures from her 2012 Flock House Project, New York City.

Mary Mattingly: Flock House Project: Omaha exhibition brochure.

Unlike traditional exhibitions, however, the spaces also served as the artist’s active research hub while she was in residence at the Bemis Center, offering a space where she engaged the local community to develop plans for, and fabricate, new mobile living systems to be installed outdoors at both the Bemis Center in the Old Market and at Carver Bank in North Omaha. Omaha artists were then invited to occupy these living systems in order to promote and implement a broader integration between Omaha’s creative and urban design communities.

At a time when urban populations are faced with environmental, political and economic instability, dislocation and relocation become increasingly important to consider and reconcile. Addressing these themes and concerns, Mattingly first presented three Flock Houses across New York City during the summer of 2012. Her intention is to choreograph Flock Houses throughout urban centers across the United States. By constructing them, she seeks to enhance community-based interdependence, resourcefulness, learning, curiosity and creative exploration. Interactive community programs, workshops, lectures, performances and narrated tours focusing on Omaha’s history, current surroundings and future opportunities occurred throughout the summer. By engaging in a direct dialogue with Omaha’s history of community and innovation, the Flock House Project provided local residents and visitors with an opportunity to ponder the future of urban living.

During May 2014 a series of design/build workshops was held to develop a local iteration of her Flock House Project. Omaha residents had an opportunity to consider just how our urban landscape might look in the decades to come.

Mary and I talked with Justin Pazera of KMTV about the project.

Two Flock Houses were installed over summer in Omaha’s Old Market district and at Bemis Center’s Carver Bank location in North Omaha. To read about the process and about the participants’ experiences, visit the Tumblr account here.

For a listing of Old Market Flock House projects, click here.

For a listing of Carver Bank Flock House projects, click here.

Gallery Installation Shots:

 

Flock House Omaha design build:

Flock House Project: Omaha was developed through Design/Build Workshops in May 2014. During the workshops, the following people worked alongside Mattingly to create and install both the Old Market and Carver Bank Flock Houses:
Travis Apel: Artist/Organic Gardener/Builder
Dwayne Brown: Architect /Writer for Edible Omaha
Denise Chapman: Carver Bank Artist-in-Residence/Performer
Devel Crisp: Carver Bank Artist-in-Residence/Performer
Matt Cronin: Gardener/Community Activist
Tricia Custer: Video Production/Artist/Gardener
Angela Drakeford: Artist
Chance Frank: Artist/Gardener
Matt Freeman: Community Gardener
Cynthia Gehrie: Artist/Gardener
Neil Griess: Artist/Urban Activist
Catherine Harrington: Gardener/Builder/Cook
George Hewitt: Artist, Post Hurricane Katrina Rebuild Volunteer, Furniture
Dr. David J. Hibler, Sr.: Gardening, Community Activism
Maya Jeffereis: Bemis Center Artist-in-Residence/Installation/Sculpture/New Media/Performance
John Kerner: Architect/Artist
Jennifer Keys: Drawing/NAACP
Kim Reid Kuhn: Artist/Urban Activist/Teacher
Peter Langwith: Artist/Community Activist/Sustainable Living
Kayla Meyer: Landscape Architecture
Christina Narwicz: Artist/Gardener
Linn Norton: Art Education
Sarah O Donnell: Bemis Center Artist-in-Residence/Sculptor
Katie Parker: Bemis Center Artist-in-Residence/Sculptor
Dessi Price: Graphic Designer
Terri Sanders: Great Plains Black History Museum
Dr. Daniel Schober: Heath/Nutrition
Tyler Swain: Trash/Recycle Artist/Tinkerer/Construction
Travis Thieszen: Bemis Center Artist-in-Residence/Sculptor
Susan Thomas: Arts/Omaha Creative Institute
Liz Thrash: Gardener/Hobbyist

About Mary Mattingly:
Mary Mattingly is a New York City-based artist whose work has been supported by the James L. Knight Foundation, Eyebeam Center for Art and Technology, Yale University School of Art, the Harpo Foundation, NYFA, the Jerome Foundation and the Art Matters Foundation, among others. Mattingly has been featured in Art in America, Artforum, Dwell, China Business News, The New York Times, New York Magazine, Financial Times, New Yorker, The Wall Street Journal, and the Village Voice. Mattingly’s efforts have also been covered by BBC News, MSNBC, Fox News, and on Art21’s New York Close Up series.

The artist merges performance, sculpture, architecture and photography to address issues of home, migration, cartography and living systems. She creates photographs and sculptures that depict future and obscure landscapes, makes wearable sculpture, “wearable homes,” and ecological installations. Her work has been exhibited at the International Center of Photography, the Seoul Art Center, the Bronx Museum of the Arts, the New York Public Library, deCordova Museum and Sculpture Park in Massachusetts and the Palais de Tokyo. Mattingly participated in smARTpower: an initiative between the U.S. Department of State and the Bronx Museum of the Arts as artist-ambassador to the Philippines.

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