Monthly Archives: September 2014

YES IS A WORLD – 2014 National Council of Arts Administrators Conference


yes is a world
& in this world of
yes live
(skillfully curled)
all worlds

from “love is a place” by E.E. Cummings


I’m honored to be invited by Mel Ziegler to speak at the 42nd annual gathering of the National Council of Arts Administrators in September, alongside a truly amazing line up of speakers: Richard Lloyd, Stephen Tepper, David Owens, Saralyn Reece Hardy, Pablo Helguera, Jon Rubin and Ruby Lerner.

From their web site: “The world is the new studio. Artists are involved in an ever-expanding production involving constituents beyond the art world and beyond the market place. As educational institutions, how do we respond to this massive shift in artistic attitude? Is there a balance to be found between 19th and 20th century models and the new 21stcentury practice centered around global and social interconnectedness? This conference will investigate the expanding field of art by exploring the influences of globalization, art education, and integrated practice. We will carefully look at our role as educators of creativity, influencers on our institutions as a whole, and members of our local and global communities.”

I’ll be speaking on the topic “The Art and Science of Collaboration”. Visuals from my presentation are available here on Prezi.

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Janette Beckman: Rebel Culture

Janette Beckman: Rebel Culture


Janette Beckman, Salt n Pepa, NYC, 1987

Janette Beckman, Salt n Pepa, NYC, 1987

Rebel Culture: Legends of Hip Hop and the Go Hard Boyz (Harlem Bikers)
September 02 – December 20, 2014
Location: Carver Bank | Bemis Center for Contemporary Arts, Omaha, NE
Artist Talk: Friday, September 19 | 7:00pm

Bemis Center 2014 artist-in-residence Janette Beckman has always had a fascination with alternative music scenes and street culture. With an eye for rebel culture, she often works on city streets, particularly those of New York, her adopted home.

The photographs in this exhibition include some of the most iconic images ever created of the early days of hip hop—including early images of Run DMC, Big Daddy Kane, Salt-N-Pepa, and a young LL Cool J.

Beckman came to New York in 1982, at a time when hip hop was in its infancy. Beckman recalls that she “fell right into the emerging hip hop scene, trains covered in graffiti, kids with boom boxes rhyming on the subway, street vendors selling hoop earrings and mix tapes.” Beckman’s photographs are characterized by her ability to capture the raw essence of her subjects.

Most recently, Beckman’s passion for street culture has led her to focus on the Harlem Go Hard Boyz dirt-bike club riders as subjects for a new body of work. Through her photographs, blending documentary honesty and formal rigor, Beckman captures the spirit and attitude that has brought the Go Hard Boyz a measure of national recognition.

Beckman’s approach to her photographic practice is really a collaboration between Beckman and her subjects. She doesn’t dictate or arrange her shots, but works with her subjects to capture moments of honesty, where the subject, not the photographer comes to the fore.

Janette Beckman, Rebel Culture, gallery brochure.

During her residency at the Bemis, Beckman also collaborated with local poet and Spoken Word performer Felicia Webster on “Photojournalism and Spoken Word Stories,” a series of workshops for area teens. Using digital cameras, the teens compiled images of their daily lives in North Omaha into a photo documentary, which integrated written and spoken word poems to express the reflections of their journeys.

Residency projects:

During her residency, Beckman spent time hitting the streets of Omaha in search of subjects: her practice has always been to get to know local people and explore contexts in which they live and work. She arrived in town just in time for the labor day parade, and did a wonderful portrait of local BBQ king, George Perkins and his wife Ossy, as well as a beautiful series of her concurrent residency cohort at the Bemis Center.

Finding that Omaha is not a city with a lot of pedestrian traffic, Beckman strategized and found ways to meet new people at events and gatherings. Her shoot of the Heavy Rotation Biker BBQ and an Omaha Intertribal Powwow beautifully capture her take on these Omaha gatherings.


About Janette Beckman
Londoner Janette Beckman began her career at the dawn of punk rock working for The Face and Melody Maker. She shot bands from The Clash to Boy George as well as three Police album covers. She later moved to New York at the dawn of the hip hop era, becoming one of the leading documentarians of the movement. Her photographs have been exhibited at HVW8 (Los Angeles), Analogue (Toronto), Belleville (Paris), Project Space (Los Angeles), Blender Gallery (Sydney), and Proud Gallery (London), among others. Her work has been collected in three volumes, including:Made in the UK: The Music of Attitude, 1977-1982 (PowerHouseBooks 2005); The Breaks, Stylin and Profilin 1982-1990 (PowerHouse Books 2007); and El Hoyo Maravilla (Dashwood Books 2011).

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